Hyperart: Thomasson, by Akasegawa Genpei. Kaya Press, 416 pages, 2010. ISBN: 978-1885030467. Paperback, $17.95. Why did it take me half a dozen years to discover this life-changing book, introducing a concept that fundamentally enriches my relationship to the built environment? The idea is the Thomasson, proposed as a form of “hyperart.”
Continue readingCalifornia Crazy and Beyond: Roadside Vernacular Architecture by Jim Heimann My rating: 5 of 5 stars 1980’s California Crazy was one of the early gospels for roadside art enthusiasts, documenting dozens of the state’s wonderful theme buildings of the early 20th century, from giant donuts to miniature sphinxes. Author Jim Heimann updated the book in 2001 with California Crazy and Beyond. The old version was presented as a logbook, and in some cases the images are larger. The new volume is redesigned as a more conventional picture book, with lots of additional pictures and a great deal more writing. Both
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Unsealed: Bottle Cap Art | The Woolseys | The Patent Drawings | How To | The Race Question| The Blockbuster The Galleries: Masterworks | Troops | Signed | Flashers | Other Shapes | Mine | Bottle Cap Inn | Two Monuments Joe Wiser’s Bottle Cap Inn in Miami was featured in Ripley’s Believe It Or Not, but more importantly it was a triumph of an obsessive personal vision. Fortunately, many interior views were preserved in a series of postcards and press photos. The bar was created in the 1930s by Joe Wiser, said to be a disabled World War I veteran. He choose to decorate with the most available ornamentation,
Continue readingExperience Howard Finster’s Paradise Garden, site of a one-person creative flowering like few the world has ever seen. Also, see the Sidewalks of Paradise Garden. Read a review of Norman Girardot’s enlightening exploration of Finster’s art and theology. Visit my archival Howard Finster page.
Continue readingA brief swing through Milwaukee is enough to turn up some fine examples of roadside art.
Continue readingRay Yoshida’s Museum Of Extraordinary Values by Karen Patterson My rating: 5 of 5 stars I’ve had the privilege of seeing Ray Yoshida’s art collection only twice, the first time in 1994 when I was co-curating a show of bottle-cap art for Chicago’s Intuit. Ray was gracious and loaned some pieces. His collection was spectacular, but tellingly, it did not seem out of the ordinary. If it was finer than many I had seen (my own included), it was not fundamentally different in style and approach. The mix of Maxwell Street flea-market finds with masterpieces is a hallmark of the
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Abstraction occurs all over. Can you guess where these abstract images are from? Click on the individual images below this group to find out.
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Chicago’s Southeast Side easily looks like a wasteland to drivers taking the Chicago Skyway as the shortest, though most expensive, path to get from the city to Michigan. But of course there are glimpses of a more interesting reality. The most obvious are the dramatic railroad bridges you see as you cross the Calumet River near 95th Street. They are some of Chicago’s finest, and always the best part of a Skyway trip. But if you get off the expressway you can find great examples of the vernacular art that lines most of the Chicago area’s off-the-beaten-track commercial districts.
Continue readingCamilo Jose Vergara brings a fine photographic eye, a sociologist’s curiosity and expertise, and tremendous commitment to his explorations of cities, their decay and their resilience. This study of Harlem is most enlightening.
Continue readingChicago is home to the greatest collection of outdoor stone carvings in urban America. Generations of beach-going carvers whiling away the hours left their marks on huge limestone blocks installed during the Depression to improve and protect the city’s park-lined lakefront. Many of these anonymous carvings have been destroyed as part of more recent anti-erosion projects. But the stretch of shoreline between Bryn Mawr and Montrose Avenues still boasts dozens of these small wonders — animals, bathing beauties, presidents, deities, buildings and, of course, initials, names and eternal professions of love. It’s the best public art that no one sees. They’re
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