Book Review: African Signs

African Signs, by Rob Floor, Gert van Zanten andPaul Faber, KIT Publishers, 208 pages, 2010. ISBN 978-9-4602-2080-7. Soft cover $45 Every once in a while those of us who don’t often make it to Africa have an opportunity to glimpse the continent’s extraordinary commercial visual culture. As recently as this summer vibrant examples of hand-painted movie posters from the 1980s and ‘90s were on view at the Chicago Cultural Center, which also mounted a show in 1996 of elaborate decorated coffins from Ghana. Both genres have books devoted to the, African hair salon and barber shop signs, meanwhile, were featured

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John Margolies, Roadside America book cover

Book Review: John Margolies, Roadside America

John Margolies, Roadside America, edited by Jim Heimann, with contributions by Phil Patton, C. Ford Peatross and photos by John Margolies. Taschen, 288 pages, about 400 color photos, 2010. ISBN: 978-3-8365-1173-5. Hard cover $39.99. The enthusiasm for vernacular expression that began flowering in the United States in the 1970s never quite gelled into a unified movement. Yet a new generation did learn to value the work of self-taught artists and a sizable coterie of writers, photographers, architects and others discovered an exterior landscape whose aesthetic dimension was almost entirely accidental, but all the more striking for it.

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Book Review: Follies of Europe – Architectural Extravaganzas

Follies of Europe: Architectural Extravaganzas, by Nic Barlow, Caroline Holmes and Tim Knox. Garden Art Press, 256 pages, 286 color illustrations, 2008. ISBN 1-87067-356-5 In the United States, writing on the environments of self-taught artists tends to place them within the outsider art context or, sometimes, within a specifically American tradition of individual expression. Follies of Europe demonstrates a very different way of looking at these sites. Not only is their individualistic exuberance not distinctly American, but they belong to a tradition of highly personal outdoor extravaganzas going back at least to the 17th Century. Indeed, the book opens with

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