Jacksonville, Florida, like many southern cities, is a treasure trove of roadside art
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Great Gyros Signs
Here are some more masterpieces of prosaic art from around the world.
Continue readingBook Review: John Margolies, Roadside America
John Margolies, Roadside America, edited by Jim Heimann, with contributions by Phil Patton, C. Ford Peatross and photos by John Margolies. Taschen, 288 pages, about 400 color photos, 2010. ISBN: 978-3-8365-1173-5. Hard cover $39.99. The enthusiasm for vernacular expression that began flowering in the United States in the 1970s never quite gelled into a unified movement. Yet a new generation did learn to value the work of self-taught artists and a sizable coterie of writers, photographers, architects and others discovered an exterior landscape whose aesthetic dimension was almost entirely accidental, but all the more striking for it.
Continue readingFine fashions
It’s been some time since I’ve stumbled across anything as nice as these fashion drawings in an antique store, mostly because I don’t spend much time in them any more.
Continue readingThe Bottle Cap Inn: New Views
Some new views of the monumental Bottle Cap Inn, and an updated page format.
Continue readingThe Signs of Clark Street
There are great signs up and down Clark Street. This is part 2 of what will no doubt be a continuing series. Here’s part 1
Continue readingArchitectural Treasures
Interesting sites and details from Chicago and vicinity.
Continue readingPulaski Road, Chicago
Signs and sights from Pulaski Road. This mosaic sign is one of the best. I’ve never seen another one like it.
Continue readingBook Review: Follies of Europe – Architectural Extravaganzas
Follies of Europe: Architectural Extravaganzas, by Nic Barlow, Caroline Holmes and Tim Knox. Garden Art Press, 256 pages, 286 color illustrations, 2008. ISBN 1-87067-356-5 In the United States, writing on the environments of self-taught artists tends to place them within the outsider art context or, sometimes, within a specifically American tradition of individual expression. Follies of Europe demonstrates a very different way of looking at these sites. Not only is their individualistic exuberance not distinctly American, but they belong to a tradition of highly personal outdoor extravaganzas going back at least to the 17th Century. Indeed, the book opens with
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