Father-Paul-Dobbersteins-Fays-Fountain-Humboldt-Iowa.-1918-restored-2011

Fay’s Fountain — Vernacular in the Park

Another Iowa vernacular masterpiece built by Father Paul Dobberstein, creator of the Grotto of the Redemption. Dobberstein was commissioned to built this memorial, officially called the Liberty Fountain, in honor of Fay Hessian, a young girl who died from tuberculosis in 1912. The fountain was dedicated in 1918 and restored in 2011. It sits in a park in Humboldt, Iowa, with organic shapes and encrustations that make it unlike any city park fountain I’ve ever seen. Back to the Grotto of the Redemption

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Father-Paul-Dobbersteins-Crucifixion-Group-St.-Joseph-Cemetery-Wesley-Iowa.-1920s

The Crucifixion Group: More Grotto Greatness

In an out-of-the-way cemetery in Wesley, Iowa, you can find Father Paul Dobberstein’s Crucifixion Group, a mini-grotto unto itself. It’s another example of the decorative impulse filling every available space with something that looks cool. And like the big grotto a few towns away, it provides an effective setting for the underlying religious message. Back to the Grotto of the Redemption

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The-Forevertron-built-by-Tom-Every-Dr.-Evermore-south-of-Baraboo-Wisconsin

The Forevertron Forever — Genius by the Roadside

North of Madison and just south of Baraboo, Wisconsin, is one of the country’s great roadside attractions, Dr. Evermor’s Forevertron. The Forevertron is a steampunk paradise, with a Victorian look in service of science-fiction vision. Creator Tom Every, born in 1938, has experience as a farmhand, salvager, construction worker and architect’s assistant, according to Leslie Umberger’s Sublime Spaces and Visionary Worlds catalog. Every also helped to fabricate attractions at The House on the Rock, Wisconsin’s foremost tourist trap and a whole other story. He has involved explanations for the work, but the focus here is its visual impact. The site

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Bricked-in door within a bigger bricked-in door

Thomasson: The Life-Changing Hyperart

Hyperart: Thomasson, by Akasegawa Genpei. Kaya Press, 416 pages, 2010. ISBN: 978-1885030467. Paperback, $17.95. Why did it take me half a dozen years to discover this life-changing book, introducing a concept that fundamentally enriches my relationship to the built environment? The idea is the Thomasson, proposed as a form of “hyperart.”

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Review: California Crazy and Beyond: Roadside Vernacular Architecture

California Crazy and Beyond: Roadside Vernacular Architecture by Jim Heimann My rating: 5 of 5 stars 1980’s California Crazy was one of the early gospels for roadside art enthusiasts, documenting dozens of the state’s wonderful theme buildings of the early 20th century, from giant donuts to miniature sphinxes. Author Jim Heimann updated the book in 2001 with California Crazy and Beyond. The old version was presented as a logbook, and in some cases the images are larger. The new volume is redesigned as a more conventional picture book, with lots of additional pictures and a great deal more writing. Both

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Miamis-Bottle-Cap-Inn-before-an-addition-on-the-right-side

Bottle Cap Valhalla: The Bottle Cap Inn

Unsealed: Bottle Cap Art | The Woolseys | The Patent Drawings | How To | The Race Question| The Blockbuster The Galleries: Masterworks | Troops | Signed | Flashers | Other Shapes | Mine | Bottle Cap Inn | Two Monuments Joe Wiser’s Bottle Cap Inn in Miami was featured in Ripley’s Believe It Or Not, but more importantly it was a triumph of an obsessive personal vision. Fortunately, many interior views were preserved in a series of postcards and press photos. The bar was created in the 1930s by Joe Wiser, said to be a disabled World War I veteran. He choose to decorate with the most available ornamentation,

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Buildings embedded in the sidewalk at Howard Finster's Paradise Garden, circa 1990

The Sidewalks of Paradise Garden

Among the most stunning features of Howard Finster’s Paradise Garden in Summerville, Georgia, are its sidewalks.  Some bear representational images of buildings, others are abstract aggregations of potsherds. Some bear text messages, others are virtual encyclopedias of Finster’s tools. These mosaic ribbons threading through the garden are a potent representation of how his creativity found expression in every aspect of the environment around him.

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Side-entrance-to-the-compound-St.-Eoms-Pasaquan-2016

Inside The Land of Pasaquan

Pasaquan, one of the world’s great art sites, lies tucked away in rural west central Georgia, near the little town of Buena Vista. Pasquan was the creation of Eddie Owens Martin, a local boy who went away to live the low life in New York City (by his own account), but came back and created a masterpiece. That Martin was a bit of a crackpot is hard to deny. A fortune-telling ex-street-hustler, he created a personal religion, enshrined himself as a saint and turned his family farm into a holy place. The strength of his vision is so great, though,

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