In the 1990s Mark Williams and Anne Weitze conceived a project to document the garage doors of Olympia Fields, Illinois, Mark’s hometown. It was inspired in equal measure by the Dublin Doorways posters, whose quaintness was then ubiquitous, and by the industrial typologies of Bernd and Hilla Becher. Mark never completed the project, but in his memory Anne and I proceeded with the not-so-great snapshots that they took as preliminary sketches, made serviceable through Anne’s Photoshop wizardry. These doors will be instantly recognizable to anyone familiar with mid-century suburban vistas. It was Mark’s brilliance to see past the apparently tacky
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Lakefront Rock Carvings This Summer – Update
If you’re interested in Chicago’s unique lakefront rock carvings, there will be a number of opportunities in the summer and early fall of 2022 to see and appreciate them. The walking tour of the carvings at Promontory Point scheduled for Sept. 11 has been rescheduled because of weather to Sunday Oct. 9. We’ll start at 11:30 a.m. near the fountain. In addition to the many historical carvings around the Point, we’ll see new ones created just in the last few months! On Sept. 24 I’ll be doing a tour of the carving-rich area around Foster Beach for Friends of the
Continue readingLakefront Carvings This Summer
If you’re interested in Chicago’s unique lakefront rock carvings, there will be a number of opportunities in the summer of 2022 to see and appreciate them. Saturday, May 28, and Sunday, May 29, the Promontory Point Conservancy will be celebrating its first annual Point Day celebration. This is your chance to show your support for preservation of this historic site, and you can also join these three carving events: On Saturday at 10 a.m. Roman Villareal, carver of the mermaid that is now at Oakwood Beach, will be at the Point talking about that famous carving and other carvings. At
Continue readingMid-Century Modern’s Midwestern Ugly Ducklings
If not yet beautiful, at least interesting
Continue readingReview: Elijah Pierce’s America
Elijah Pierce’s America, edited by Nancy Ireson and Zoé Whitley, with contributions by Sampada Aranke, Theaster Gates and Michael D. Hall. The Barnes Foundation, Philadelphia, in association with Paul Holberton Publishing, London, distributed by the University of Chicago Press, 208 pages, 120 color plates, 2020. ISBN: 9781911300878. Hardcover, $50 To the long list of reasons to resent the pandemic beyond death, sickness and unemployment, of course, we can add missing the opportunity to see Elijah Pierce’s carvings in person at Philadelphia’s Barnes Foundation. The retrospective ran from September 2020 to January 2021 and included more than 100 works. But pandemic
Continue readingReview: The Power and Fluidity of Girlhood in Henry Darger’s Art
The Power and Fluidity of Girlhood in Henry Darger’s Art, by Leisa Rundquist, Routledge, New York, 126 pages, 13 b/w Illustrations, 2021. ISBN: 9781138314559. Hardcover, $59.95 In this admirably concise volume, Lisa Rundquist works diligently to normalize Henry Darger. That seems like fair play considering how he’s been pathologized. Being a working-class self-taught artist and a loner made him vulnerable to whatever excesses of interpretation anyone wanted to throw at him. The eccentric and sometimes extreme nature of his art was a contributing factor. But, in effect, Darger remained a victim of the same epithet applied to him in his youth:
Continue readingReview: Loud, Naked, & In Three Colors
Loud, Naked, & In Three Colors: The Liberty Boys & The History of Tattooing in Boston, by Margaret Hodges and Derin Bray. Rake House, Portsmouth, N.H., 160 pages, 2020. ISBN: 9780578758404. Hardcover, $70 This volume presents a nicely balanced combination of tattoo art and tattoo lore. The book by its own account “looks beyond the connoisseurship of historical flash art” to tell the story of the tattooers, “an often transient, marginalized group,” which it does effectively, in the form of one family. The 70 pages devoted to flash art aren’t bad, but the most exceptional part of the book is
Continue readingReview: Rosie Lee Tompkins: A Retrospective
Rosie Lee Tompkins: A Retrospective, by Elaine Y. Yau, Lawrence Rinder and Horace Ballard. University of California, Berkeley Art Museum and Pacific Film Archive, 175 pages 2020. ISBN: 9780983881384. Paperback, $39.95 Here’s another pandemic art disappointment—the grand exhibition of Rosie Lee Tompkins’ quilts at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). Like Elijah Pierce’s carvings at the Barnes Foundation, these quilts clearly need to be experienced in person to get a true sense of their scale and material impact. Tompkins is widely praised as the greatest quilter of her time, certainly up there with the women of Gees
Continue readingReview: Prisoners’ Inventions
Prisoners’ Inventions, written and illustrated by Angelo in collaboration with Temporary Services. Half Letter Press, Chicago, 200 pages, 2020. ISBN: 9781732051423. Paperback, $20 If you’re looking for conventional prison art, this book isn’t the place. No warrior princesses or hands holding bars here. But if you are interested in the incredible creativity that incarceration can generate, this book is a good place to start. In the first instance, there is the creativity of “Angelo,” the one-time California prison inmate who made the drawings featured here and who is responsible for most of the text. His sketches are both interesting and
Continue readingHow To Make A Bottle Cap Figure
Unsealed: Bottle Cap Art | The Woolseys | The Patent Drawings | How To | The Race Question | The Blockbuster The Galleries: Masterworks | Troops | Signed | Flashers | Other Shapes | Mine | Bottle Cap Inn | Two Monuments Since co-curating a large-scale bottle-cap art exhibit in the 1990s I’ve been trying to find published instructions for how to make the little two-bowled figures that were once ubiquitous in thrift stores across the Midwest. It seemed there must be some kind of master blueprint somewhere to explain the existence of so many identical copies of these kitschy figures. Patent drawings exist for one kind of figure, but
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