I wish I could add to the story of the prolific and ambitious artist Danielle Jacqui and her House of She Who Paints, but not being a French speaker I don’t know much beyond what’s been published in a few English-language venues, including a Raw Vision article here and a SPACES account by Jo Farb Hernández here. But I do have photos from a serendipitous 2018 visit to her environment northeast of Marseille. We were going to do just a drive-by and take some pictures, but it happens that two friendly French ladies were arriving for a tour just when I was
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Classic Diners — A Gallery
The art of vintage diners, via their promotional matchbooks, plus a smattering of little grills. I like the contrast between clip-art images and custom renderings. Meanwhile, hop over to John Baeder’s site for his spectacular renditions of matchcover diners, including the Yankee Flyer. Matchbooks
Continue readingReview — Outliers and American Vanguard Art
Outliers and American Vanguard Art, by Lynne Cooke. University of Chicago Press, Chicago, 412 pages, 450 color plates, 2018. ISBN: 978-0226522272. Hardcover, $65 Outliers and American Vanguard Art, filling several rooms at the National Gallery of Art, is a dauntingly large-scale show. And at five pounds, 412 pages, 450-plus illustrations and a 10 x12 form factor, its catalog is even more daunting. But, despite some excess imbrications and fixed subject positions, the art and the important points being made are plenty sufficient to interest non-academic readers. Curator Lynne Cooke’s core premise is that the story of modernism is woefully incomplete absent
Continue readingReview — Eugene Von Bruenchenhein: Mythologies
Mythologies, the name of the Kohler Art Center exhibit and substantial catalog, makes a holistic case for Eugene Von Bruenchenhein’s brilliance.
Continue readingSome Really OK New Wacky Store Names
Another batch of the strange, the bizarre, the inexplicable wacky store names of the world. As someone pathologically prone to understatement, I’m especially fond of business names that don’t try too hard. Do eat some OK paella before buying a simply basic but typical gift. Do Eat Korean Barbecue, Chicago Favorable Chicken-Kebabs-Ribs, London: Photo by Martin Stocks Nice Pharmacy, Koh Samui, Thailand O.K. Paella, Toledo, Spain OK Painters, Siem Reap, Cambodia Simply Basic, Barcelona Typical Gift, Toledo, Spain Closely related to understatement, and just as dynamic, are the businesses whose owners favor highly generalized branding. Here are those latest additions:
Continue readingQuinten B. Smith’s Masterful City Scenes
These city scenes show a mastery of detail and a real feeling for people and place. Drawn by Quinten B. Smith in the 1990s and early 2000s, their precision and beauty make them wholly convincing.
Continue readingVintage Vinyl For Sale
I’m selling many vintage vinyl LPs at my neighborhood’s community yard sale Saturday, Sept. 8, 9-4. Plus vintage furniture, art objects, collectibles, household items, vintage textiles and more. Of course, any reasonable offer will be considered. Here are the LPs that will be on sale:
Continue readingOutsider Art: Chicago We Own It
A look past Chicago’s outsider art canon to anonymous & lesser-known artists, the collectors who found their work, and Maxwell Street, where many learned how
Continue readingFarewell Joe Markevicius
I learned today of the death of Joe Markevicius, one of my favorite artists. Joe was a “soutsider” artist, a graduate of Gage Park High School and a wizard with pastels. I always thought there was a sadness to Joe at least partly reflected in his choice of subject — mostly Chicago places that had disappeared or were in the process of disappearing.
Continue readingHarvey Ford: Objects of Beautyness
Harvey Ford was a prolific producer of drawings when he was in the art program at Joliet’s Stateville Penitentiary, but he also made some impressive sculptures, mostly ceramic, and at least a few papier-mâché. The colors and shapes are more than a match for the intensity of his drawings, many of which he made with burnt matches. Although prison art programs produce a lot of material that is of little interest beyond the cellblock walls, the Stateville program, as its output makes evident, encouraged artists to follow their own creative direction. Ford was a true visionary and a case study
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