Outsider Art Archives - Page 6 of 8

May 30, 2015 Bill Swislow

Stanley Szwarc Portrait Gallery

Stanley Szwarc’s most typical creations are marvels of decoration, stainless steel boxes lathered in abstract ornamentation. But he also applied his geometric talent to creating faces, some ominous, some cartoony, some robotic, and some quite dressy. When the book keeper turned metal worker took up representational imagery, his imagination was stunning. Recently acquired early work Visit the Stanley Szwarc visionary cross gallery View Stanley Szwarc’s vases The Stanley Szwarc boxes Stanley Szwarc in color 2016 show at Intuit in Chicago Read The Stanley Szwarc story

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April 20, 2015 Bill Swislow

Stanley Szwarc’s Visionary Cross Purposes

Stanley Szwarc (1928-2011), a Polish book keeper turned metal worker and then artist after arriving in the United States, gave no indication of being particularly religious, but he did like making crosses. A prolific creator of objects from scrap stainless steel, always demonstrating over-the-top imagination, Szwarc made hundreds of crosses, if not thousands. He produced jewelry, he made crosses to be hung on the wall, and he crafted cruciform objects with no apparent use other than to be carriers of his endless combinations of geometric shapes. Szwarc liked to say that no two of his objects, be they crosses, vases, key fobs or boxes, were alike. The evidence plainly supports that contention while demonstrating a virtuosic artistic vision

December 24, 2014 Bill Swislow

B.F. Perkins and Jimmy Lee Sudduth

Two fine artists: B.F. Perkins and Jimmy Lee Sudduth at Perkins’ environment in Bankston, Alabama. Sudduth gave me this Polaroid in 1990 or thereabouts, along with directions to Perkins’ place. Sudduth was a genius with mud. Perkins’ environment was continuous with his art. He repeated himself, but his best themes, like the “Cherokee Lovebirds,” were quite nice.

September 28, 2014 Bill Swislow

Vivian Maier: A Framing Narrative

With Maier, like Henry Darger, it’s hard to separate the work from the story What does it take to be a successful artist? More often than not: 1. Exceptional talent 2. Obsessive production 3. Savvy promotion 4. Great luck Vivian Maier, the “nanny photographer,” eventually checked all these boxes, even if

September 5, 2014 Bill Swislow

Book Review: Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments

Jo Farb Hernandez’s study of Spanish art environments is so epic that even a large-format volume of nearly 600 pages can’t get the job done, so a bonus CD adds thousands more thumbnail pictures and hundreds more pages of text. If creating a world-class art environment requires obsessive devotion, Hernandez is a match for the creators she studies. Her devotion demonstrates Spain is a match for the rest of the world, even if its environments have not received the same attention as the great sites in France or Wisconsin.

Great and Mighty Things: Outsider Art from the Jill and Sheldon Bonovitz Collection book cover

September 15, 2013 Bill Swislow

Book Review: Great and Mighty Things: Outsider Art

“Great and Mighty Things: Outsider Art from the Jill and Sheldon Bonovitz Collection,” Edited by Ann Percy with Cara Zimmerman; With contributions by Francesco Clemente, Lynne Cooke, Joanne Cubbs, Bernard L. Herman, Ann Percy, Colin Rhodes, and Cara Zimmerman, Yale University Press, 288 pages, 245 color illustrations and 1 b/w, 2013. ISBN 978-0-3001-9175-2. Hard cover $60 This is a blockbuster catalog for a blockbuster exhibit at the Philadelphia Museum of Art, yet like a parade of similar volumes it is built around samples of work by mostly well-known artists, each equipped with a one- to two-page biography, followed by essays

November 9, 2012 Bill Swislow

Book Review: Groundwaters: A Century of Art by Self-Taught And Outsider Artists

Groundwaters: A Century of Art by Self-Taught And Outsider Artists, Charles Russell, Prestel, 256 pages, 180 color illustrations, 2011. ISBN: 978-3-7913-4490-4. Hardcover $65.00 Charles Russell’s Groundwaters has the look and feel of a conventional coffee table book, and it can indeed be appreciated simply for its many beautiful plates representing the work of important self-taught artists of the 20th Century. Start reading the text, however, and another kind of book emerges. Those pictures aren’t there just because they’re striking. Each one is referenced in the text to make or elucidate a point, and Russell has many to make. Their density

November 9, 2012 Bill Swislow

Book Review: Accidental Genius, Art from the Anthony Petullo Collection

Accidental Genius, Art from the Anthony Petullo Collection, by Lisa Stone and Jane Kallir, Milwaukee Art Museum/DelMonico Books/Prestel, 240 pages, 250 color illustrations, 2012. ISBN 978-3-7913-5200-8. Hard cover $60

Shaved Ice and Wild Buses: Street Art in Suriname book cover

May 16, 2012 Bill Swislow

Book Review: Shaved Ice and Wild Buses: Street Art in Suriname

Schaafijs en wilde bussen: Straatkunst in Suriname, by Chandra van Binnendijk , Paul Faber and Tammo Schuringa, KIT Publishers, 160 pages, 2010. ISBN 978-9-4602-2054-8. Dutch, soft cover, 19.50 euros

April 5, 2012 Bill Swislow

Book Review: South African Township Barbershops and Salons

South African Township Barbershops and Salons, Simon Weller, Mark Batty Publisher, 128 pages, 2011. ISBN 978-1-935613-04-6. Hard cover $27.95 If African Signs, with its minimal text but rich collection of photographs, provides a window to African vernacular culture, South African Township Barbershops & Salons passes through that window to provide something of an inside tour. Simon Weller, a professional photographer, not only document numerous advertising signs but also spent time with the hair cutters and their customers as well as several sign painters. He aims not just to show the art but also the culture in which the art is