Review: The Tom Patterson Years

The Tom Patterson Years: Cultural Adventures of a Fledgling Scribe, by Tom Patterson. Hiding Press/Jargon, 208 pages, 10 pages of photographs, 2021. ISBN 9781733709897. Paperback, $18 If you follow the literature of the folk/outsider/self-taught art field, then you know the name of Tom Patterson. He wrote the definitive book about Eddie Owens Martin/St. EOM and Pasaquan, and, with John Turner, the first major book about Howard Finster, among other achievements. Now he’s written a memoir that includes numerous interesting anecdotes from his encounters with Martin, Finster and other figures from the world of folk and outsider art, including the folklore professor

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Review: The Gallery of Miracles and Madness: Insanity, Modernism, and Hitler’s War on Art

The Gallery of Miracles and Madness: Insanity, Modernism, and Hitler’s War on Art, by Charlie English. Random House, 336 pages, 16 pages of plates, 2021. ISBN: 9780525512059. Hardcover, $28 Charlie English begins his history of Nazi cultural preoccupations— – and the genocides that followed— – with the story of Franz Karl Buhler, a German blacksmith who turned painter after he was overtaken by mental illness and entered an asylum. He also was an artist collected by the pioneering psychiatrist Hans Prinzhorn (who gave him the pseudonym Franz Pohl), and he was as well an early victim of Nazi genocidal policies. Prinzhorn, and his

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Jack Barker’s Metal Art Fantasyland

I don’t love junk metal art. The idea of turning scrap into art is usually better than the results. But occasionally a maker brings enough imagination and creativity to the work that it transcends its lawn-ornament origins. Tom Every and his epic Forevertron in Wisconsin is one of the more famous examples of this. Jack Barker, whose metal art filled his Essex, Illinois, yard, did not work on Every’s monumental scale — physically or conceptually — but his creations were if anything weirder than Dr. Evermore’s. Barker’s use of materials could be disconcerting, as could his imagery. The ways he

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Review: Elijah Pierce’s America

Elijah Pierce’s America, edited by Nancy Ireson and Zoé Whitley, with contributions by Sampada Aranke, Theaster Gates and Michael D. Hall. The Barnes Foundation, Philadelphia, in association with Paul Holberton Publishing, London, distributed by the University of Chicago Press, 208 pages, 120 color plates, 2020. ISBN: 9781911300878. Hardcover, $50 To the long list of reasons to resent the pandemic beyond death, sickness and unemployment, of course, we can add missing the opportunity to see Elijah Pierce’s carvings in person at Philadelphia’s Barnes Foundation.  The retrospective ran from September 2020 to January 2021 and included more than 100 works. But pandemic

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Review: The Power and Fluidity of Girlhood in Henry Darger’s Art

The Power and Fluidity of Girlhood in Henry Darger’s Art, by Leisa Rundquist, Routledge, New York, 126 pages, 13 b/w Illustrations, 2021. ISBN: 9781138314559. Hardcover, $59.95 In this admirably concise volume, Lisa Rundquist works diligently to normalize Henry Darger. That seems like fair play considering how he’s been pathologized. Being a working-class self-taught artist and a loner made him vulnerable to whatever excesses of interpretation anyone wanted to throw at him. The eccentric and sometimes extreme nature of his art was a contributing factor. But, in effect, Darger remained a victim of the same epithet applied to him in his youth:

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Review: Loud, Naked, & In Three Colors

Loud, Naked, & In Three Colors: The Liberty Boys & The History of Tattooing in Boston, by Margaret Hodges and Derin Bray. Rake House, Portsmouth, N.H., 160 pages, 2020. ISBN: 9780578758404. Hardcover, $70 This volume presents a nicely balanced combination of tattoo art and tattoo lore. The book by its own account “looks beyond the connoisseurship of historical flash art” to tell the story of the tattooers, “an often transient, marginalized group,” which it does effectively, in the form of one family.  The 70 pages devoted to flash art aren’t bad, but the most exceptional part of the book is

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Review: Rosie Lee Tompkins: A Retrospective

Rosie Lee Tompkins: A Retrospective, by Elaine Y. Yau, Lawrence Rinder and Horace Ballard. University of California, Berkeley Art Museum and Pacific Film Archive, 175 pages 2020. ISBN: 9780983881384. Paperback, $39.95 Here’s another pandemic art disappointment—the grand exhibition of Rosie Lee Tompkins’ quilts at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). Like Elijah Pierce’s carvings at the Barnes Foundation, these quilts clearly need to be experienced in person to get a true sense of their scale and material impact. Tompkins is widely praised as the greatest quilter of her time, certainly up there with the women of Gees

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Review: Prisoners’ Inventions

Prisoners’ Inventions, written and illustrated by Angelo in collaboration with Temporary Services. Half Letter Press, Chicago, 200 pages, 2020. ISBN: 9781732051423. Paperback, $20 If you’re looking for conventional prison art, this book isn’t the place. No warrior princesses or hands holding bars here. But if you are interested in the incredible creativity that incarceration can generate, this book is a good place to start. In the first instance, there is the creativity of “Angelo,” the one-time California prison inmate who made the drawings featured here and who is responsible for most of the text. His sketches are both interesting and

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Hyde Park Lakefront Stone Carvings Under Threat

Chicago’s lakefront is lined with thousands of stone carvings, created by mostly anonymous makers over the course of the 20th century. One of its most carving-rich areas is also its most endangered. Hundreds, probably thousands, of carvings have been lost over the last 20 years as the city, in cooperation with the Army Corps of Engineers, has reconstructed its shoreline to prevent erosion and flooding. This has meant removal of limestone blocks once used to armor the shore — and thus also the carvings made on many of those same blocks. Now the city is moving ahead with plans to

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Morgan Shoal Stone Carvings: Imminent Danger

The hundreds of stone carvings at Morgan Shoal, between 45th and 50th Street in Chicago’s Hyde Park neighborhood, are in imminent danger of being lost. This section of lakefront is in terrible condition, with the many of the old rocks topsy turvy and falling into the lake. The city is following up emergency measures to reduce flooding with an initiative to fund its framework plan for complete reconstruction. The plan has appealing elements, including creation of additional parkland. However, it makes no reference to the carvings or their preservation, which is no surprise considering that public awareness of this artwork

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